I once again worked the polls earlier this week, which was a bit more intense than the primary — but very rewarding. Now it’s back to the keyboard. I’m now 75% through the first draft of my next Big Historical Comics project, which has a publisher attached — I expect this one to see print in Fall 2020 or Spring 2021. So, it’ll be a ways yet, but I’m super excited for it. Hoping to have a few li’l projects in the meantime…
Yesterday, I served as an election inspector in Michigan's primary. It's a fascinating experience and I'm still processing everything, but I wanted to share a few initial thoughts.
It's a long day -- you show up at 6am, we finished at 10:45 PM -- but it's never boring. The precinct I worked saw about 20% in-person turnout, and I know there were a lot of absentee ballots. 20% isn't great in absolute terms, but it's not at all bad for a primary and is high for a precinct with a significant number of graduate students who may still be out of town for the summer.
My team was short staffed, as two people who had signed up to work didn't show -- apparently this is a misdemeanor! Other than the precinct chair, the other two of us were doing this for the first time. Yet everything (or nearly everything) went smoothly. We had a great team.
There was one voter whom workers from the other precinct voting in the same room had accidentally sent to an entirely different location. He eventually made his way back, still all smiles, determined to vote. "I'm young, I'm healthy," he said, "I just had to make sure I voted."
If you write in, say, "Batman," you are creating a surprising amount of work for people trying to go home at the end of a 17-hour workday.
I am not the only person who is offended by Michigan's "Application to Vote" paperwork. But I could not say much of anything about this to people who were upset by it because, as it turns out, voting regs constitute "political discussion." I was very careful about this.
If you think you'd be interested in working the polls -- this is a paid position, but it doesn't pay a ton -- let me know if you have any questions, I'm happy to be a resource. They need good people, especially if you are a registered Republican in a heavily Democratic area, or vice versa.
TL;DR thank you Michigan for not voting for Shri
I get frustrated. I do.
I'm always pitching, and most of those pitches are rejected. I've got a ton of stories I'm really excited about, things I think would be awesome comics, novels, short plays, and so on. It bums me out.
But man, it would never even occur to me to publicly lash out out the people that said no. There's self-preservation, for one. And then there's basic human decency.
Look, there's always a reason behind rejection. It may be a story is a poor fit for an agent or publisher, it may be they're already working with something similar. It could be that it just doesn't fit with their schedule.
It might just not be very good.
They might just not like you.
You might never know the reason for sure. If you know it, you might not agree. That's fine. Folks have different tastes.
Personal attacks are never ok. What does an agent's appearance or age matter in a prospective professional relationship? Or why mention that dance means something different to her? And what could you possibly hope to gain by complaining about standard industry and conference practices (which are very, very reasonable if you take even a second to consider the world through the agent's point of view) when trying make a good impression?
It comes down to power, of course. The writer of the original post has been made to feel weak, so he's going to reclaim his strength. He's older and wiser (and better dressed?) than these puny agents, he's not only gonna deliver the next Booker Prize-winning opus but by damn he's gonna restore some common sense to the whole publishing system.
He's above it, he wants you to know. He's a published author, he knows how the game is played. Or should be played, and it's not the way these Millennials are doing it.
Which is rubbish, of course.
Nobody owes you a publishing deal. You do not have a right to an agent's representation, or any more of her time than she feels your pitch has earned you.
Yeah, I get bummed out when things don't go my way, and that happens a lot. A LOT. Sometimes I wonder if I could have pitched it a different way, sometimes I wonder if my timing was off, or if I came off as annoying. Sometimes, yeah, I think the decision makes no goddamn sense.
But I've been fortunate enough to work with some stellar editors, and to be on very good terms with others whom I haven't yet had the pleasure of working with. I have an agent for certain projects, and have been very happy both with our initial introductions and ongoing communications, as well as, of course, the work they're doing for me. I hope I give these good people reason to enjoy working with me, beyond my masterful control of imagination and language.
The O/P lays out a few "rules" for those who might be faced with so tawdry a task as meeting face to face with an agent or editor at a conference, but he misses out the most important:
Rule #1: Don't be a jackass.